Viktor Fitsner

Author works

А, Б, В…

А, Б, В…

Paper, ink, ruling pen, 255 x 395 mm, 2016.
Alphabets

Alphabets

Paper, coloured ink, ruling pen, 745 x 575 mm, 2017
Alphabets. A sketch

Alphabets. A sketch

Paper, ink, ruling pen, 400 x 297 mm, 2016
Alphabet

Alphabet

Paper, coloured ink, Chinese brush, 900 x 2500 mm, 2017
Alphabet

Alphabet

Paper, ink, ruling pen, 265 x 415 mm, 2016
Alphabet

Alphabet

Paper, ink, ruling pen, 230 x 400 mm, 2016
Alphabet

Alphabet

Paper, ink, ruling pen, 240 x 420 mm, 2016
Alphabet

Alphabet

Paper, ink, ruling pen, 275 x 420 mm, 2016
Sketch Book

Sketch Book

Paper, ink, flat nib, brush, ruling pen, 205 x 290 mm, 2016
You Will Smile To Me For Life

You Will Smile To Me For Life

Paper, marker pen, 297 x 420 mm, 2016
Love

Love

Paper, white ink, flat foam tip tool, 610 x 960 mm, 2017
No Spare for Beauty and No Fear of Death

No Spare for Beauty and No Fear of Death

Paper, ink, ruling pen, 215 x 385 mm, 2016
Do not spare the beauty. And don’t fear death: The butterfly’s flight

Do not spare the beauty. And don’t fear death: The butterfly’s flight

Paper, ink, ruling pen, 230 x 415 mm, 2016
Joseph Brodsky: “Still Life” triptych part 1

Joseph Brodsky: “Still Life” triptych part 1

Paper, ink, Chinese brush, ruling pen, 600 x 1200 mm, 2017
Joseph Brodsky: “Still Life” triptych part 2

Joseph Brodsky: “Still Life” triptych part 2

Paper, ink, Chinese brush, ruling pen, 600 x 1200 mm, 2017
Joseph Brodsky: “Still Life” triptych part 3

Joseph Brodsky: “Still Life” triptych part 3

Paper, ink, Chinese brush, ruling pen, 600 x 1200 mm, 2017
My Lord. Psalm 50. A sketch

My Lord. Psalm 50. A sketch

Paper, ink, pencil, ruling pen, 260 x 420 mm, 2016.
My Lord. Psalm 50

My Lord. Psalm 50

Coloured paper, white and golden ink, brush, ruling pen, nib, 250 x 650 mm, 2016
Alphabet. An Alive Letter Design

Alphabet. An Alive Letter Design

Paper, ink, ruling pen, brush, 245 x 400 mm, 2016

Biography

Viktor Fitsner

Education: The University of IT, Mechanics and Optics, specializing in optical electronics.

Viktor started to learn design and got engaged with letters. He discovered calligraphy as he enrolled to Sergey Rasskazov’s school.

Fitsner treats rhythm and composition in pre-Peter and contemporary Cyrillic seriously. He utilizes all sorts of tools, as he believes that the actual tool is calligraphy.

Viktor cooperates with Stanislavsky Theatre, Paratype, and also manages his own projects.

In his works he focuses on expression, character and composition, and most importantly, on the message.

Fitsner holds workshops in Moscow, does talks and produces art objects. He is an author of a copybook and a book about calligraphy.